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At this time, all of our pedals are true-bypass except for the following:
ECHO MASTER (this vocal pedal is always on!)
We believe the correct pedal order is the one that sounds the best for you. Some guitar pedals (especially fuzzes) can sound a bit darker and less gain-y when placed right after the guitar and end up having some more interaction with the pickups and volume/tone knobs. Some people prefer this sound to the more clear, ultra-bright sound of placing buffers before them.
A few specific pedals of ours that might sound significantly different without another pedal or buffer before it include:
ABSOLUTE DESTRUCTION
APOCALYPSE
EVIL FILTER
FUZZ WAR
GERMANIUM FILTER
INTERSTELLAR OVERDRIVER
ROBOT (to an extreme degree!)
SUPERSONIC FUZZ GUN
TOTAL SONIC ANNIHILATION 1 and
2
That being said, experiment and see what sound best for you! Try them at the beginning, at the end, or anywhere in between!
Everything (except the ECHO MASTER, which is for vocals) will work on bass. Our personal favorites for bass are the BASS WAR, EVIL FILTER, FUZZ WAR, APOCALYPSE, and INTERSTELLAR OVERDRIVER.
All pedals we currently produce work with a standard Boss / 1 Spot style 2.1mm barrel, 9V negative tip, positive ring, DC power adapter. For a great low-noise, 3000 mA option, try our RAW POWER supply!
Depending on how maxed out your input signal is and what the impedance of your source instrument is, yes, normal! However, you should get more room with the Overload slider as you turn down your input.
Channel 1 can sound a bit quieter than the others due to the extreme mid scoop. Channel 4 is quieter than the others because the analog octave-up circuit intrinsically makes the signal quieter through rectifying the waveform. If you turn the volume up, it's just as fuzzy and extra gnarly though!
That's an overall volume limit–you can turn it down to even out the volumes between the different channels a little. Or crank it and let your Apocalypse rip!
It sure does! The BASS WAR was engineered specifically to make bass sound great, but many of the sounds are just as good on guitar too! Especially parts with big, heavy chords that need a sizzling, thick layer of fuzz on them.
This controls the gain of the filter effect. It gets nice and loud!
The DISTURBANCE's flanger does have some noise associated with the modulation which creates the flanger effect. This typically isn't very prominent unless it's being recorded DI, however feel free to reach out if you think something is the matter with it!
The DISTURBANCE can send the LFO voltage which controls its modulation out through the side jack. This control voltage can be adjusted up to ~0-7V. This makes it suitable to use to with many Eurorack modules and some other guitar pedals, though not all guitar pedals will be compatible with direct voltage control in this way. Try it out with your favorite expression-compatible pedals and CV-controlled synths to see what crazy sounds you can get!
The MICRO DREAM, ECHO DREAM, and ECHO MASTER all use the delay chip out of its originally-intended specs to make extra-long delay times with crazy noisy results. This is the intended sound of the pedal and we hope you enjoy blowing past these limits!
Some of our earlier units had this quirk and it's since been changed. The pedal should still work as normal, however if this is an issue for you, you can submit a repair form and we can get it modified.
Using a higher-voltage power supply can give more headroom to the pedal. This allows the pedal to get louder before getting distorted. If you want it to be ultra-loud (amplifier smashing boost!), you can try running it on a higher-voltage power supply, otherwise the standard 9V will let the FUZZ control get nice and smashed before hitting the amplifier.
Are you using battery power? If so, it's highly likely that your battery is low on voltage and should be replaced. Try plugging it into an adapter and see if that solves it. If not, let us know.
The MICRO DREAM, ECHO DREAM, and ECHO MASTER all use the delay chip out of its originally-intended specs to make extra-long delay times with crazy noisy results. This is the intended sound of the pedal and we hope you enjoy blowing past these limits!
The FX loop on the ECHO MASTER allows you to put guitar pedals or other effects on your voice before it reaches the echo. This lets the ECHO MASTER open the door to a whole vocal effects chain, just throw any guitar pedals you've been dying to hear on vocals and experiment!
Some power supplies can have more interference than normal and the ECHO MASTER can be sensitive to this. You can reduce the noise trying different power supplies and avoiding daisy-chaining the power with any other pedals.
The ECHO MASTER won't pass phantom power through its XLR connections, so phantom power coming from a mixer or audio interface after the ECHO MASTER won't get to your microphone. "In-line" phantom power supplies do exist though, and you can place these between the ECHO MASTER and your microphone.
The ECHO MASTER outputs closer to mic level to make it more convenient to swap out in performance settings, avoiding the need to drastically change settings on a mixer's preamp. It will work after a pre-amp as well if you want to use it this way which this can generally improve noise performance.
They work separately, as if they are two different pedals in your chain with the fuzz coming first. You can turn on just one or both. Filterer's choice.
Yep! It's a blooming, compressed distortion that we felt worked wonderfully with the filter, especially when the resonance is turned up. You can reduce this effect by rolling off the volume on your guitar if it's not to your liking
Yes, this is by design. It's the circuit aggressively pushing the shape of the tremolo.
An expression pedal plugged in would control the rate/distortion (Fantasy knob).
Depending on what you're playing through it, yes. This is by design. The Exit Index cuts bass a bit and boosts treble a smidge. If you're playing trebly guitar or synth leads, it won't affect the signal volume.
The three-knob version simply takes the fuzz control that used to be an internal trimpot and puts it on the outside for easier control.
Some of our earlier units had this property and it's since been changed. The pedal should still work as normal, however if this is an issue for you, you can submit a repair form and we can get it modified.
Heck yeah it is! Some of the modes and settings on the Deluxe can introduce oscillations along with your guitar signal. Fuzz it out and make some crazy noises!
The MICRO DREAM, ECHO DREAM, and ECHO MASTER all use the delay chip out of its originally-intended specs to make extra-long delay times with crazy noisy results. This is the intended sound of the pedal and we hope you enjoy blowing past these limits!
Some of our earlier units had this property and it's since been changed. The pedal should still work as normal, however if this is an issue for you, you can submit a repair form and we can get it modified.
It is the same speaker-shaking circuit of the HARMONIC TRANSFORMER in a tiny package!
The key to the light-sensitive control of the pedal depends on a device called a "photoresistor" or "light dependent resistor." It's a common element of many DIY-style electronics products and widely used in the US. This device contains cadmium sulfide and this is a closely-controlled substance in many jurisdictions. It contains only very small amounts and is generally only harmful if ingested (definitely don't take the pedal apart and eat it!), but because of this component it violates certain RoHS standards in some countries.
Are you using battery power? If so, it's highly likely that your battery is low on voltage and should be replaced. Try plugging it into an adapter and see if that solves it. If not, let us know. Additionally, the pedal can be sensitive to noisy power supplies, to make sure to try multiple and, if you're in the market, check out the RAW POWER.
Do you have it daisy chained to other pedals for power? If so, that's the problem. Versions of the ROBOT made before 2023 require their own dedicated power source, whether it's a battery or an external adapter which is plugged into only the ROBOT. New ROBOTs should not have this issue and you can check the date your ROBOT was built inside the backplate of the unit.
Long ago, we decided to remove the internal control from the pedal. Newer units will not have this option, but it should be extremely responsive to the volume knob of your guitar if it is placed directly after your guitar in the chain.
We designed ROOMS to be able to achieve the massive walls of sound that we always wanted from a reverb - this means that at low volumes, there is a small amount of audible noise. However, cranking the gain on ROOMS does not increase the noise floor so we suggest you set it loud and enjoy!
In order to maintain true bypass switching in the ROOMS, the LED is controlled by a somewhat sensitive circuit that can make the LED flicker slightly if a long reverb tail is still playing after you bypass the pedal. This is normal! If it seems to be really bad or is having issues staying lit or turning fully off, please submit a repair form and our team can help you out.
The three-knob has volume control, which the original two-knob didn't. The rest of the pedal should sound identical!
Just like the ECHO MASTER, the FX loop allows you to put guitar pedals or other effects on your voice before it reaches the chorus and reverb effects. A difference with the Space Ensemble is you now have access to the pre-amp gain which is placed before the loop, and this should help you get better noise performance and drive guitar pedals at a more appropriate level.
Like the ECHO MASTER, the Space Ensemble won't pass 48v through its XLR connections, so phantom power from a mixer or interface after the Space Ensemble won't get to your microphone. "In-line" phantom power supplies do exist though, and you can place these between the ECHO MASTER and your microphone.
The pedal, unlike the ECHO MASTER, is intended to bring your mic closer to line-level and has an adjustable pre-amp. We recommend adjusting the GAIN trimpot as high as you can get before clipping to get the absolute best noise performance from the pedal. You can also use the pedal after a pre-amp to improve the noise floor in the same way.
The trimpot inside controls the post-gain of the effect. Too many times have we all suffered through a chorus which kills your guitar in the mix and we sought to resolve this by putting this adjustment on the inside. It should scale from unity to +40 dB.
Unlike both, it has two sets of internal dipswitches that give you hundreds of options for how you want it to sound, from bassy blowouts to treble boosted insanity.
Yup! The SUPERSONIC FUZZ GUN is one of our wildest circuits, and will often chirp, scream, hiss, and sputter all on its own. Turning it to 'OSC' mode will bring an oscillation into the fuzz that you can control with your guitar's volume knob!
The TOTAL SONIC ANNIHILATION can interact very differently with different pedals and it can be difficult to predict how to make it truly freak out. If you have the TSA2, we recommend playing with the different controls available on the TSA2 such as the Phase, Gain, and Limit to make pedals in the loop truly wail!
Sure is! The expansive and extreme settings of the Waveformer Destroyer are intended to make unexpected and out-of-control tones. We hope you enjoy 'em!
Unfortunately, we don't have any remaining units for sale, but keep an eye out online!
Once your order has been fulfilled by our team, a shipping confirmation with a tracking number will be emailed.
Well, now, that's illegal! So, no.
Yes, tracking information is automatically sent to the email address you input on your order. You can also sign up for text message tracking info at checkout.
Sometimes shipping carriers mark packages delivered when they are not and will deliver later in the day or the following day. Please also check with your neighbors. If it still hasn't shown up after a couple days of the said delivery, please contact us.
The rushed shipping you paid for is in regard to the carrier's shipping time, and does not include our handling time, which may vary. We're also closed on weekends. If you need a pedal ASAP we recommend writing us first to make sure we can get it to you by the date you need it or better yet, order through one of our dealers.
We accept returns or exchanges as long as: they were purchased from this site, your package was delivered in the last 30 days, and it is still in like-new condition. Please contact us to arrange the return.
**Please note: We reserve the right to impose a restocking fee equal to 10% of the invoice price for goods shipped to you and returned to us.
If your order hasn't shipped yet, you may ask to cancel your order. Please realize that your refund may not reach your bank for several days, depending on your bank.
**Please note – We reserve the right to impose a 10% restocking fee from all returns or cancellations.
Sure thing. You can exchange items as long as: they are still in like-new condition, package was delivered within the last 30 days, and you purchased directly from us. For clothing, it must be unworn. Please contact us to arrange the exchange.
**Please note – We reserve the right to impose a 10% restocking fee from all returns and you are responsible for covering the shipping cost to return it back to us.
You can absolutely send it in, but because we offer free repairs, we like to make sure all other possible issues are covered. Often, a bad cable, dying battery, or incompatible power supply can cause all kinds of problems that might sound like a faulty pedal. Please test out your pedal with different cables, batteries, and power supplies to see if the problem persists. Additionally, check our Pedals FAQ for common questions pertaining to your specific pedal. If after checking all of that, you still have an issue, please fill out our Repair Form and our Repairs team will help you from there!
For more information, please review our Refund Policy.
Sadly, no. The beloved venue, Death By Audio, is no longer open. Although sharing the same
name and warehouse, we never had anything to do with booking it anyway- that was our wonderful friend
Edan Wilber.
Additionally, our new shop is small and we do not generally allow public visitors.
Check our store list for the nearest place to check out the pedals.
Not usually, but please feel free to send us your resume and examples of your work and special skills.
Most likely, yes! Please email Heather at heather@deathbyaudio.com.
For more information, visit our page on becoming a dealer.